Astig Lameco

Profile & Philosophy

Roger Agbulos

 
In 1990 I had the good fortune to meet Edgar Sulite, the Punong Guro of Lameco Eskrima. He and a friend of mine, Lowell Pueblos, were planning an FMA demonstration, which  later become a turning point in my Martial Arts career. Although I had some exposure to the FMA in school in the Philippines, the training was more like physical education than martial art. So, when I observed Edgar demonstrating that day it kindled a burning interest in me that continues to this day.
 
When Edgar passed away in 1997, I decided to pursue one of Lameco’s primary arts, the original Kali Illustrisimo under the tutelage of Guro Christopher Rickets and Rey Glang of the Bakbakan organization.
 
Through the years, and with constant exposure to many different FMAs, I have come to some combat truths of my own. One is that unlike other FMA systems that emphasize short or middle range combat, my focus is on long range weapons combat that does not generally focus on blocking an opponents attack, and that rarely uses the alive hand to disrupt one.
 
The way I see it, I always ask myself, “How can I disrupt a strike in motion when it’s moving at over a hundred miles an hour?” The fact is one can not, or one would not want to do so.
 
In my system, non telegraphic striking can in itself be a form of blocking.   The concept is to preempt an attack with another attack. Put another way, you “block” an adversary’s attack with an attack of your own. The reality of weapons combat is that it is over very quickly. The one who strikes first or strikes effectively, usually wins. It really comes down to quick reaction and muscle memory. This concept is not new. As a matter of fact, it could be stated that it is the single signature attribute of “Tatang” Illustrisimo that has made him renowned as a fighter that he is.  This was shared with me by grand master Rey Galang of the Bakbakan fraternity.  He refers to it as the “eye of Tatatng Illustrisimo”.
 
Careful observation of sparring footwork of the grand old warrior shows him reacting to an attack not by blocking, but by somehow getting in between the rhythm of combat and literally beating the opponent to the punch.
 
This type of reaction requires intensive training, control, and nerves of steel.  The normal response is to stop or block an attack and then deliver a corresponding response or counter attack, assuming that the opponent is delivering only single layer attacks.  It takes a certain mindset to be able to see opportunities while one is under attack.  It takes heart of stone to not flinch but instead to practically ignore and bypass the attack and instead, use the openings and flaws inadvertently created by the opponent executing the delivery of an attack or a strike.
 
My training emphasizes controlling long-range encounters with broken flowing or combination strikes, thrown from all angles, in a small numbers.  Whether advancing or retreating, forward pressure is always on. After all, one doesn’t have to move much to make an attack or strike of your opponent miss. Likewise, precision strikes are accomplished within a matter of inches and split second timing.
 
 
How does one handle a long range attack already set in motion? Does one simply step back and get out of the way, or bring a stronger attack to the adversary? Either way, the longer it takes an attack to reach its target, the greater the likelihood that it will be countered or neutralized. The most effective strikes (or blocks), therefore are short compact ones.
 
How does one train for these conditions? First, one must focus on developing non telegraphic striking. Never pull, wind or chamber the striking hand. Limit and optimize the movements you make when recovering from one strike to the next.
 
Second, emphasize mobility through the footwork. Refrain from assuming a fencing stance, which limits you to forward and backward movements only. Body shifting by itself, although providing an efficient method of avoiding attacks nevertheless leaves you still within striking range for subsequent secondary attacks. With footwork, one not only avoids the attack but actually improves one’s position and creates advantage.
 
Finally, mentally eliminate the distinction between blocking and striking; they are really one and the same. This holds true especially in edged weapon applications. A parry with a knife is potentially a cut or a counterattack.
 
It has been proven many times over in combat that the way one practices is the way one will instinctively fight. Always keep ones training realistic and simple. Gross motor skill executed with a minimum of movement and maximum of force, will always be superior to the more artful, but less rational, movement’s common to and emphasized in some FMA systems.
 
With regards to blade training, it must start with the proper mindset. It is not a joke to face and defend against an edged weapon. Engagements such as this are likely going to be a life and death struggle. Whether it be sword against sword or knife against knife, or unarmed defense against an edge weapon, the danger o severe injury is inherent and can be fatal. Have you trained properly for this-defining moment? 
 
The reality of edged or impact weapons combat is that it is really a vicious and tiring affair. If one fighter is not instantly, mutilation or a severe beating is the likely result. As the Chinese proverb goes, “When two tigers fight, one is killed; the other injured”.
 
At the training center in Northridge, we try to rise non-telegraphic striking, in combinations of four (or less), to an art form. Born out of tribal combat, emphasis is on accuracy and economy of movement.
Precise and timely footwork allows for maximum mobility. Training progressions build on highly effective responses to predictable body reactions.
 
The real contribution of long range emphasis on its strictly combat orientation, although some of the FMA’s include beautiful, wide strikes, the fact is that a skilled opponent will move to “defang the snake” i.e attack the weapon hand. The longer it takes an attack to reach its target, the greater the likelihood that it will be countered or neutralized. The most effective strikes are, therefore, short sweet and precise.
 
There is combat and there is art. Especially in knife fighting, make sure you are preparing for the correct one. The real world of edged weapon encounters is violent, brutal and unforgiving. It is not a give and take playground where rules and decorum are observed and enforced. Test your knowledge and skills regularly. Push it to its limits and beyond. Learn to learn from experience, defeat and victory. Savor the pain and epiphany of reality. Only then will you truly master the art of the blade.
 

Roger Agbulos appears in the Masters of the Blade book compiled by Guro Rey Galang.  If you get a chance check out this book as it contains lots of information on the subject.  Guro Roger also appears in another book by Guro Rey Galang on the subject of the Warrior Arts of the Philippines discussing the the effect of the Late Guro Edgar Sulite had on spreading the word of FMA and its potency.

  

 

 

 Professor John Machado (BJJ), Guro Roger and Cheif instructor Ava Nardia (kapap)

at a

knife seminar hosted by C.I Nardia at Prof. Machado

(cool baseball cap eh?)

 More information available soon.  Please contact Guro Roger via my links page.


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